Model Active | KS218A SUB |
System Type | Active subwoofer |
Power Handling | Class D 2000W |
Transducer Low | 2 x 18″ Woofer, 3″ Sandwich V.C with long excursion |
Max SPL | 133dB Max. |
Active Crossover | BandPass type 12dB/oct. under analog processor |
Frequency Response (-6dB) | 35Hz – 120Hz under analog processor |
Input Connector | In-Left / Mono (COMBO) Right (XLR-F) / Out-Left / Mono Right (XLR-M) |
/ Link-Left / Mono-Right (XLR-M) Balanced (15K Ohms) | |
External Controls | Volume Control / Phase Switch / HPF-80Hz for L-R Satellite or |
By Pass / Power ON with Green LED / Clip Limiter with Red LED / Ground Lift | |
Electronic Protections | Thermal / Convection – Fan / Overload /Lim. / Compressor |
Power Supply | 115V/230V ~ 50Hz/60Hz Switchable |
Enclosure Construction | Plywood cabinet, metal grille, rubber foot |
Mounting | One metal standard pole-mount |
Dimensions (HxWxD) | 535 x518.5 x 1000mm (21.06″ x 20.41 x 52.36″) |
Net Weight | 46.64kg / 102.82Ibs |
Volume | 15.887CFT |
Rabu, 29 November 2017
TOPP PRO – KS 218A SUB
Senin, 13 November 2017
Topp Pro DMX 24-4
Model | DMX 24-4 |
Microphone input | Electronically balanced |
Frequency Response to direct Output | 20Hz~100KHz at 0dBu ±1.5dB |
Frequency Response to Main Output(48K) | 20Hz~20KHz at 0dBu ±1.5dB |
Frequency Response to Main Output(96K) | 20Hz~20KHz at 0dBu ±1.5dB |
Distortion(THD&N) to direct Output | <0.0005% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(48K) | <0.01% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(96K) | <0.01% at 0dBu 1KHz |
SNR(Signal to Noise Ratio) | 107dB |
Maximum Input Level | +22dBu |
Phantom Power(+/-3V) | +48VDC |
Line input | Unbalanced |
Frequency Response to direct Output | 20Hz~100KHz at 0dBu ±1.5dB |
Frequency Response to Main Output(48K) | 20Hz~20KHz at 0dBu ±1.5dB |
Frequency Response to Main Output(96K) | 20Hz~20KHz at 0dBu ±1.5dB |
Distortion(THD&N) to direct Output | <0.0005% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(48K) | <0.01% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(96K) | <0.01% at 0dBu 1KHz |
Gain | -15dBu~+35dBu |
Maximum Input Level(Gain at 0dBu) | +20dBu |
AUX1~2 input | Balanced(2 stereo pair) |
Frequency Response to Main Output(48K) | 20Hz~20KHz at +4dBu ±1.5dB |
Frequency Response to Main Output(96K) | 20Hz~20KHz at +4dBu ±1.5dB |
Distortion(THD&N) to Main Output(48K) | <0.01% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(96K) | <0.01% at 0dBu 1KHz |
Gain | -8 to +10dBu |
Maximum Input Level | +22dBu |
Tape L/R input | |
Frequency Response to Main Output(48K) | 20Hz~20KHz at +4dBu ±1.5dB |
Frequency Response to Main Output(96K) | 20Hz~20KHz at +4dBu ±1.5dB |
Distortion(THD&N) to Main Output(48K) | <0.01% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(96K) | <0.01% at 0dBu 1KHz |
Gain | -8 to +10dBu |
Maximum Input Level | +22dBu |
Talkback MIC | |
Frequency Response to Main Output(48K) | 20Hz~20KHz at +4dBu ±1.5dB |
Frequency Response to Main Output(96K) | 20Hz~20KHz at +4dBu ±1.5dB |
Distortion(THD&N) to Main Output(48K) | <0.01% at 0dBu 1KHz |
Distortion(THD&N) to Main Output(96K) | <0.01% at 0dBu 1KHz |
Gain | -8 to +10dBu |
Phantom Power(+/-3V) | +48VDC |
Main outputs | |
Maximum Output Level | +21dBu |
AUX1~8 Outputs | |
Maximum Output Level | +21dBu |
SUB1~4 Outputs | |
Maximum Output Level | +21dBu |
Tape Outputs | |
Maximum Output Level | +16dBu |
Control Room Outputs | |
Maximum Output Level | +20dBu |
System Crosstalk | |
Input to Output(at +4dBu 1KHz) | -83dBu |
Adjacent Channels(at +4dBu 1KHz) | -82dBu |
Noise(Bus noise) | -85dBu |
Noise Gate | |
Threshold Range | -84dBu – 0dB |
Attack time | 0.5mS ~ 200mS |
Relesae time | 5mS~2S |
Compressor | |
Threshold Range | -30dBu -+20dB |
Attack time | 10mS ~ 150mS |
Relesae time | 10mS~1S |
Ratio | 1:1 to 24:1 |
Gain | 0dBu – +24dB |
EQ | |
Low (LowPass or LowShelf) | 21Hz~19.2KHz +/- 24dB |
Low Mid | 21Hz~19.2KHz +/- 24dB |
High Mid | 21Hz~19.2KHz +/- 24dB |
High(HighPass or HighShelf) | 21Hz~19.2KHz +/- 24dB |
Digital Audio | |
ADC Dynamic Range | 114dB |
DAC Dynamic Range | 114dB |
Internal Processor | 32-bit , floating point |
ADC,DAC bit depth | 24bit |
Impedances | |
Microphone input | 1.4KO |
Channel Isert return | 2.5KO |
All other inputs | 10KO or greater |
Tape out | 1KO |
All other output | 120O |
Rabu, 08 November 2017
Digital Mixer Behringer X Air 12
- iPad*/Android* tablet controlled 12-input digital mixer for studio and live application
- 4 award-winning MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- Built-In Tri-Mode Wifi router for direct operation—no need for external routers
- Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharing
- USB connector for uncompressed stereo WAV recording and playback
- Award-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
- 100-band Real Time Analyzer (RTA) for all channel and bus EQ’s
- Rack ears and protection bumpers included for flexible rack and onstage applications
- 6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ
- 2 TRS aux outputs and 2 XLR main outputs plus phones connector
- 40-Bit floating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency
- Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi
- MIDI In/Out allows controlling the mixer via MIDI equipment (incl. Mackie Control* protocol)
- Future firmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge
- Internal switch-mode power supply for noise-free audio and low power consumption
- Conceived and designed by BEHRINGER Germany
VIRTUALIZER 3D FX2000
VIRTUALIZER 3D FX2000
High-Performance 3D Multi-Engine Effects Processor
- 71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
- Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
- Awesome modulation, dynamic, psychoacoustic and EQ algorithms
- Authentic amp simulation, distortion and special effects
- 11 effect combinations with selectable serial / parallel configuration
- Up to 7 adjustable parameters plus 2-band EQ per effect
- 24-bit A/D and D/A converters with 64/128-times oversampling
- True stereo processing for realistic channel separation in stereo image
- 100 factory presets plus 100 user memory locations
- Extensive MIDI implementation
- Accurate LED level meters for perfect level setting and optimum performance
- Servo-balanced XLR and ¼” TRS inputs and outputs
DB Tech ES 503 – Column PA Stereo System
DB Tech ES 503 – Column PA Stereo System
ES503 is a 1000W Power Amp Peak sound system composed by 2 slave 4x 3” full-range tops and 1 master 12” subwoofer. dBTechnologies’s components and design allow an amazing SPL/size ratio: 95x355x137 mm and 1.9 kg for the tops and 465x400x430mm 16,4 kg for the subwoofer for an overall 121 db SPL. The sub hosts a Digipro G3® amp module with auto-range PSU and a 3-channels mixer with Bluetooth connection. A powerful DSP manages all function of the on-board digital mixer, making the ES503 a real gem in terms of sound performance and versatility. The internal design of the tops allows an asymmetrical vertical coverage (thanks to the Logarithmic Curved Column Array technology) and a unique “double ringed” phase plug widens the horizontal coverage and guarantees a perfect voice intelligibility. This allows ES503 to adapt to any situation, both with a seated or standing audience.
ES503 is the most eclectic among portable systems, allowing 3 different configurations suitable for hundreds of different occasions:
1 MONO MODE: The two satellites are connected top-on-top (thanks to a quick and easy slide connection system) and are placed on the subwoofer through a D25mm pole.
2STEREO MODE:Each satellite is placed on a tripod
2b STEREO MODE: 1 Satellite on a pole, 1 on a tripod
3 DOUBLE COLUMN MODE: a ES503 system in mono mode becomes the master for a second ES503 feeding the signal thanks to the integrated balanced output channel. This way, both system are driven by the master’s on board mixer and any setup is guided through the master’s OLED display.
The ES503 is equipped with a three-channel mixer, and a built-in Bluetooth™ stereo module, which receives audio from devices such as mobile phones, tablets or any other audio device.
The bass-reflex subwoofer houses a 12” woofer and the amplifier module. In addition to the input connectors and controls of the user-interface, there are two Speakon outputs and a VDE power connector. The enclosure, sturdy and stylish, is made of birch plywood coated with a durable scratch-resistant black coat, which makes it truly road-ready. Two handles (one per side) help easy transport.